Category Archives: On Speculative Fiction

Lightning Strike:

Practicing to Be Lightning

Speculative fiction this time, and a long time coming. I can’t promise never again to release two books in four months–like mesquite bushes, books have deep roots, and the writer can’t always control when the visible part makes it to daylight. But I can tell you it’s been a journey.

For years I’ve been thinking about mining my thirty years of hike notes–about 600 hikes–for the setting for a novel. From the malpaís and beyond, through a portal to another world that is also this world–think Venn diagram–here it is.

About:

For Ben, reality is crumbling …

Pursued by a whistling killer through flash flood, rockfall, and storm, under a sky where even the stars have gone mad, skeptical scientist Ben and intuitive Zuni artist Trace flee across an uncanny desert wasteland, fighting to climb what is surely a mountain—or is it a cloud? 

Ben thinks he’s the rescuer … until he isn’t. Trace has a GPS … kind of. But lovers and nightmares hunt them on the paths of their very neurons. Prisoners of their disastrous pasts, can they escape? Does anyone ever escape?

On an ancient earth where the land itself is alive, Practicing to Be Lightning plunges you into a terrifying quest where the lines between reality and imagination blur, and survival means confronting not just raw nature, but the wilderness of the soul.

And praise:

“A breathtaking book.” —Connie Willis, SFWA Grand Master, winner of eleven Hugo and seven Nebula awards

“A heart-stopping quest through a dangerously beautiful landscape toward a mysterious destination pairs with vivid portrayals of irrational evil and irresistible human kindness.  A fine read.” —Anne Hillerman, author of the best-selling Leaphorn, Chee, Manuelito mysteries

“A good book bridges worlds. A great book drops you into its own. Practicing to Be Lightning is a great book. We can’t help but follow its call into the landscape of the malpaís, all sharp edges and sheer drops, as perilous and beautiful as our inner selves.” —Zach Hively, Reading the West Book Award-winning author of Desert Apocrypha

“In order to understand the truth, you need more than one way of knowing. What Betsy James does here is to meld two ways of thought—science and religion—into a better description of what the world really is.” –Dr. K. Kitts, retired NASA scientist

More in the sidebar … –>

… and an excerpt here.

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Art Show

Imaginary Pueblos, by Betsy James

One of the liabilities of an oversized right brain is less room for the left brain. In my busy multiverse of painting, writing, teaching, and hiking, that’s a real issue at times.

I have four paintings in the Albuquerque Museum’s annual ArtsThrive show and sale—this is my seventh year—and I should have sent you the links a couple of weeks ago:

https://albuquerquemuseumfoundation.org/artsthrive/

https://www.bidsquare.com/auctions/albuquerque-museum-foundation/artsthrive-art-exhibition-benefit-timed-auction-5450

Enter my name in the top right of the second link. And if you live in ‘Burque, the show’s up until November 8.

There! Whew.

Writing Fantasy: Imaginary Slang 2


How do aliens swear?

Not just aliens but all speakers of imaginary languages. Think about it. A polytheist who says “My god!” means something quite different than does a monotheist—and wouldn’t capitalize.

In Listening at the Gate I needed an epithet for use by Nondany, the itinerant master folklore collector. I settled on “By life!” I like it so much I want to get a slang wave going.

Recently  a librarian nailed me with a steel eye and asked whether there was any “bad language” in the novel. I explained that it took place in an imaginary culture, but since all cultures have profanity, I’d had to invent some. She looked baffled. And bought the book.

Writing Fantasy: Imaginary Slang 1


You’ve evoked an imaginary world. You want the speech of its denizens to sound human and true…but if you use contemporary slang the Norns sound like Valley Girls. What now?

Here’s a solution:

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…..“It hums so loud, Kat. I can’t not hear it.”
…..“Is—is it death?”
…..“It’s greater than death.”
…..I tried to think of something greater than death, and could not.

……………………………Listening at the Gate

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In dialogue, the speakers use contractions: can’t, it’s. But the in the text of the book proper, the matrix, words are spelled out in full: could not.

Subtle. Simple. And it works.

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Why Speculative Fiction?

“If you ask: Why spend time on a writer of escape literature? please consider for a moment the position that the literature of fantasy and science fiction provides more direct functional access to reality than any other modern work of the intellect. When experience is rendered ineffable by a rate of change that undermines the meanings of language, a literature that has evolved to speak out from the middle of the waterfall of ideas can continue to engage and to convey the most important meanings. And this is not a new discovery. The oldest roots and origins of literature, the epics of Gilgamesh and Innana, the Odyssey, the Iliad, all are either fantasy, if you do not believe in the Gods, or science fiction, if you do.”

Margot Adler, Heretic’s Heart: A Journey Through Spirit and Revolution

For more on Speculative Fiction, click here.