In a midden scatter tumbling far down a slope, three pieces of utilitarian pot that have lain so long separated, on different soil types, that each has weathered to its own color.
Perfect fit.

In a midden scatter tumbling far down a slope, three pieces of utilitarian pot that have lain so long separated, on different soil types, that each has weathered to its own color.
Perfect fit.






A nineteenth-century Hispanic homestead, long abandoned in its broadcast midden of rusty metal and purple glass. Axe-cut and adze-hewn beams, windows and doors trimmed with dimension lumber.

It was the first day cool enough, morning only, to scramble and side-hill in the mesa’s shadow. By noon the pale Cretaceous clay was too hot for pleasure.
11,000 feet. The lowlands won’t see asters for another month.


South from the Sandia Crest trail. Summer rain.

A chunk of thick, nineteenth-century beer bottle repurposed–right edge retouched–as if it were a flint flake.

Lightning-struck.
Burned to the stones, then scoured flush by weather and time.


The leg it slashed –clinic visit, tetanus booster–was mine.
Vote to control shooters on public lands.
A tiny–1.7 cm–obsidian point, probably Ancestral Puebloan.
Flint from a flintlock–Navajo, at a guess. The flint itself is probably from the Brandon flint mines in England, knapped there and imported as a finished product.
Remains of a WWII dummy bomb. The brightly-colored sands and clays of the desert were exploited as targets.


