
A local group, “Art as Antibodies” asked for pieces about how we’re coping with the Covid lockdown. I sent a painting of the wide and windy desert, which is how—and where—I cope. Not covidy enough, they said. So I sent a corvid.
Slot canyons are spooky, mysterious, intimate. Ravens nest along the rim. When you emerge from the dark strictures of a slot canyon you feel reborn.
The day began with mottled clouds that later burned off. No friendly sand to walk in, just acrid mud dust, with now and then a stiff, dried place where a cow had pissed. We hiked down terrifying deep arroyos whose walls, scored by mud-laden runnels, were poised to collapse.
Mudstone concretions: eyeballs and entrails lay in drifts on the yellow-red dirt. We came across two half-buried spheres, both about twelve feet in diameter, like the backs of two huge skulls: Baba Yaga and her daughter.
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Betsy James on Writing, Art, and Walking in the Desert